strangers on a train tennis match
First Hitchcock got the exterior shots in Canoga Park, using both actors, then later he had Elliott alone report to a soundstage where there was a large concave reflector set on the floor. Addeddate 2021-02-10 15:58:01 [13] Treatment writer Cook used Guy to make the film "a parable quietly defiant of the Cold War hysteria sweeping America. In accordance with the cautious censorship guidelines of the period, Hitchcock would later tame these elements of Walker's memorable performance by trimming and altering certain scenes, so the differences between the original and prerelease versions provide an illuminating illustration of censorship's effect on the story's thematic intensity. One day, he meets a stranger named Bruno on a train going back home. Unfortunately, he is serious while Guy brushes it off. Great transfer, great black and white contrast. meeting on the train, which was probably planned by Bruno, plays more like a Strangers on a Train Blu-ray, Special Features and Extras: Commentary by Peter Bogdanovich, Peter Benchley, Alfred Hitchcock and many more. Hitchcock had a crew shoot background footage of the 1950 Davis Cup finals held August 2527, 1950 at the West Side Tennis Club in Forest Hills, New York. Bruno agrees to kill Guy's unfaithful wife, in return for which Guy will (or so it seems) kill Bruno's spiteful father. One gets the feeling of a closeted homosexual constantly coming onto Guy. [18], There was not much time though less than three weeks until location shooting was scheduled to start in the East. On the train, he is recognized by Bruno Antony ( Robert Walker ), an overly friendly man who talks Guy into having lunch with him in his private cabin. He is seen carrying a double bass as he climbs onto a train. "[60] Leslie Halliwell felt that Hitchcock was "at his best" and that the film "makes superior suspense entertainment," but called the story "unsatisfactory. [36], Composer Dimitri Tiomkin was Jack Warner's choice to score Strangers on a Train. But a men's three-set tennis match can be eleven hours or thirty minutes, depending on tiebreakers and whether it even goes to three sets at all. his identity and lifestyle. [63], David Keyes, writing at Cinemaphile in 2002, saw the film as a seminal entry in its genre: "Aside from its very evident approach as a crowd-pleasing popcorn flick, the movie is one of the original shells for identity-inspired mystery thrillers, in which natural human behavior is the driving force behind the true macabre rather than supernatural elements. Strangers On a Train (1951) In Alfred Hitchcock's thriller - an adaptation from Patricia Highsmith's first novel about amoral murderers who 'traded' or 'exchanged' crimes: the opening sequence introduced the duality of the two 'strangers on a train' with their distinctive contrasting shoes: - Bruno Antony (Robert Walker), a . Bruno wants to kill his father, but knows he will be caught because he has a motive. The pair has what writer Peter Dellolio refers to as a "dark symbiosis. When Guy arrives home, Bruno informs him Miriam is dead and insists that he must now honor their deal. place from Highsmith, whose novels have been unfairly shelved with crime upstairs in the dark in Bruno's house, Hitchcock told Truffaut, he hit on the When he reaches his destination, Guy bids goodbye to Bruno, thinking nothing more of the affable but rather curious young man's homicidal theories. [28] Anne reaches for the big phone, but actually answers a regular one: "I did that on one take", Hitchcock explained, "by moving in on Anne so that the big phone went out of the frame as she reached for it. Aboard a train bound for New York, Guy, the tennis pro, is shocked to discover how much information the wealthy stranger, Bruno, knows about him. After Guy arrives, he and Bruno fight on the park's carousel. Ordinary Washington locations become sinister hunting grounds that mirror perfectly the creeping terror that slowly consumes Guy, as the lethally smooth Bruno relentlessly pursues him to a frenzied climax. he would like to "strangle" Miriam. The psychological game that Bruno plays on Guy is to force him to kill Bruno's over-bearing father. Guy humors Bruno by pretending to find his idea amusing, but is so eager to get away from Bruno that he leaves behind his engraved cigarette lighter. Robert Walker is fabulous as the twisted Bruno. "[21] The more the film resolved in his mind's eye, the more he knew his director of photography would play a critical role in the scenes' execution. See production, box office & company info. He's endearing and menacing, intimate and unknowable. After appearances in his 2 best British films, "The 39 Steps" (1935) and "The Lady Vanishes" (1938) , the train was elevated to star billing along with the 2 male leads in "Strangers on a Train" (1951).Not only does the train move its passengers around, it is the location where one's diabolical "you do my murder, I"ll do yours" plot is hatched and used to seduce the other. This is the so-called "British" version of the film (which was included on the "flipper" DVD a few years ago) which runs about two minutes longer than the final cut and has some alternate takes. Strangers on a Train marked something of a renaissance for Hitchcock, after several years of low enthusiasm for his late-1940s output,[25] and he threw himself into the micromanagement of some of its production. "Hitchcock told me that this scene was the most personally frightening moment for him in any of his films", writes biographer Charlotte Chandler. "[61], In contrast, modern reviews have been overwhelmingly positive. Unreliable citations may be challenged or deleted. "[21] Hitchcock, who had drawn gay characters so sharply yet subtly in Rope in 1948, "drafted the left-leaning Cook expressly because he was comfortable with sexually ambiguous characters. "Me, I never do anything important." DVD Features:Interactive MenusNewsreel:Hitchcock newsreel footageProduction NotesScene AccessTheatrical Trailer:Five trailers of Hitchcock movies, From its cleverly choreographed opening sequence to its heart-stopping climax on a rampant carousel, this 1951 Hitchcock classic readily earns its reputation as one of the director's finest examples of timeless cinematic suspense. The aestheticizing of the horror somehow enables the audience to contemplate more fully its reality. Bruno proposes, "I'll kill yours, you kill mine." in Hitchcock's "Foreign Correspondent," where all the windmills [12], Hitchcock then tried Raymond Chandler, who had earned an Oscar nomination for his first screenplay, Double Indemnity, in collaboration with Billy Wilder. Talking about the structure of the film, Hitchcock said to Truffaut, "Isn't it a fascinating design? British version of the film -- cutting down the intensity of the Built on the cummins singapore email address, Animal Adventure Little Luxuries Premium 38 Jumbo Plush Dino. A psychopath forces a tennis star to comply with his theory that two strangers can get away with murder.A psychopath forces a tennis star to comply with his theory that two strangers can get away with murder.A psychopath forces a tennis star to comply with his theory that two strangers can get away with murder. Interesting premise but really poor pacing, Reviewed in the United States on January 5, 2023. "On one side of the street, [are] stately respectable houses; towering in the background, on the right of the screen, the floodlit dome of the U.S. Capitol, the life to which Guy aspires, the world of light and order. Anne. Bruno knows about Guy well from reading gossip papers. Please use a different way to share. "The Band Played On" makes its final reprise during Guy's and Bruno's fight on the merry-go-round, even itself shifting to a faster tempo and higher pitch when the policeman's bullet hits the ride operator and sends the carousel into its frenzied hyper-drive. (This shot was famously unfaked, and the Brief content visible, double tap to read full content. Full content visible, double tap to read brief content. One could study it forever. The emotionally-imblanced and immature Bruno expresses his feelings and Guy his problems in a chit chat. Bruno follows Guy around Washington, introduces himself to Anne, and appears at a party at Senator Morton's house. Guy is suspended between tennis and politics, between his tramp wife and his senator's daughter, and Bruno is seeking desperately to establish an identity through violent, outr actions and flamboyance (shoes, lobster-patterned tie, name proclaimed to the world on his tiepin). the Forest Hills tennis club. Walker plays Bruno as It's worth noticing that Guy, then, in a sense connives at the murder of his wife, and the enigmatic link between him and Bruno becomes clear.[51]. was a lesbian whose novels have uncanny psychological depth; Andrew Wilson's a divorce from his cheating wife, Miriam (Kasey Rogers), in order to marry Anne accidental overdose of tranquilizers. Mysterious Bruno (Robert Walker) hates his father. Guy wants to move into a career in politics and has been dating a senator's daughter (Ann Morton) while awaiting a divorce from his wife. One studio press release gave rise to a myth that still lingers on today. Although Hitchcock A very good choice for train food. Hitchcock said that correct casting saved him "a reel of storytelling time", since audiences would sense qualities in the actors that did not have to be spelled out. said that correct casting saved him a reel in storytelling time, since There are two sets of two detectives in two cities, two little boys at the two trips to the fairground, two old men at the carousel, two boyfriends accompanying the woman about to be murdered, and two Hitchcocks in the film. Guy infers that Bruno intends to plant it at the scene of the murder and incriminate him. conversational web instead of flatly rejecting him. One gets the feeling of a closeted homosexual constantly coming onto Guy. With his new writer, he wanted to start from square one: At their first conference, Hitchcock made a show of pinching his nose, then holding up Chandler's draft with his thumb and forefinger and dropping it into a wastebasket. + a very good 36 min documentary on the film ,a 7 min feature with 'murder victim' Laura Elliot, an 11 min 'Hitchcock family' feature and a 12min appreciation by director/fan M.Night Shyamalan- so all in all a good package of a film that's always worth another viewing,that's currently available at a good prices. Anne's sister Barbara says that the police will think that Guy is the murderer since he has a motive. From its cleverly choreographed opening sequence to its heart-stopping climax on a rampant carousel, this 1951 Hitchcock classic readily earns its reputation as one of the director's finest examples of timeless cinematic suspense. While he had previous Hitchcock experience on Shadow of a Doubt (1943), and would go on to score two more consecutive Hitchcock films, the director and composer "simply never developed much of a kinship"[8] and "the Hitchcock films are not Tiomkin's best". Beyond all the historical footnotes and film-buff fascination. they're now both behind bars as he says, "You've got me acting like I'm a Patricia Hitchcock and Kasey Rogers look a little alike and wear very In 2021, the film was selected for preservation in the United States National Film Registry by the Library of Congress as being "culturally, historically, or aesthetically significant".[3]. But that is precisely what they got: STRANGERS ON A TRAIN. Robert Walker plays a psychopathic murderer that is an apathetic rich boy with a lust for the eccentric. Bruno wants to kill his father, but knows he will be caught because he has a motive. Robert Walker is uncanny. an intriguing note from a user of the Internet Movie Database, claiming to have wants dead. For his part, Bruno, a rich and spoiled ne'er-do-well, chats amiably about his deep hatred of his father, and how he wishes someone would kill the old man. [19] Hitchcock preferred the writing credit of Whitfield Cook and Czenzi Ormonde, but Warner Bros. wanted the cachet of the Chandler name and insisted it stay on. See Appendix 1, Historical Journal of Film, Radio and Television, (1995) 15:sup1, 131 p 31 DOI: 10.1080/01439689508604551, Warner Bros. press release #HO9-1251, November 30, 1950, Learn how and when to remove these template messages, introducing citations to additional sources, Learn how and when to remove this template message, Influence on Carol Burnett's Star on Hollywood Walk of Fame, "Armchair Audience: The Moving Toyshop (1946)", "The Screen In Review; 'Strangers on a Train,' Another Hitchcock Venture, Arrives at the Warner Theatre", "My Favourite Hitchcock: Strangers on a Train", "Two Men Inspired By 'Throw Momma from the Train' Fail To Get Away With Murder", "David Fincher, 'Strangers on a Train,' and the Tricky Business of Remaking Hitchcock", German Concentration Camps Factual Survey, Alfred Hitchcock: The Art of Making Movies, Alfred Hitchcock and the Making of Psycho, https://en.wikipedia.org/w/index.php?title=Strangers_on_a_Train_(film)&oldid=1134435612, Films based on works by Patricia Highsmith, Films with screenplays by Raymond Chandler, United States National Film Registry films, Articles needing additional references from June 2022, All articles needing additional references, Articles lacking reliable references from June 2022, Articles with multiple maintenance issues, Creative Commons Attribution-ShareAlike License 3.0, This page was last edited on 18 January 2023, at 17:53. Amateur tennis star Guy Haines wants to divorce his promiscuous wife Miriam so he can marry Anne Morton, the daughter of a US Senator. Once Bruno Antony acts on 'removing' Guy's wife, the movie ytakes off. In Hitchcock's cameo he carries a double bass. Highly recommended. ingenious plot with insinuating creepiness. Robert Walker is fabulous as the twisted Bruno. [4] "Granger is softer and more elusive, more convincing as he tries to slip out of Bruno's conversational web instead of flatly rejecting him. audiences would sense qualities in the actors that didn't need to be spelled With an emphasis on narrative and visual strategy, Hitchcock controls the escalating tension with a master's flair for cinematic design, and the plot (coscripted by Raymond Chandler) is so tightly constructed that you'll be white-knuckled even after multiple viewings. It was shot in the autumn of 1950 and released by Warner Bros. on June 30, 1951, starring Farley Granger, Ruth Roman, and Robert Walker. Rowland V. Lee Ranch - Fallbrook Avenue, Canoga Park, Los Angeles, California, USA. ${cardName} unavailable for quantities greater than ${maxQuantity}. Strangers on a Train previewed on March 5, 1951 at the Huntington Park Theatre, with Alma, Jack Warner, Whitfield Cook and Barbara Keon in the Hitchcock party[26] and it won a prize from the Screen Directors Guild. Actually, it's doubly fascinating. 16793 GIFs. chance again.) One of the most popular psychological crime thrillers that Hitchcock ever made is definitely Strangers on a Train, the master's adaptation of crime novelist Patricia Highsmith's debut novel that hit theaters back in 1951.Even though a lot of film scholars over the years considered the movie at least to a degree inferior to Hitchcock's landmark films such as Vertigo or Rear Window, this . This is one of Alfred Hitchcock's most complex amd multi-layered films. 'If the man had raised his head even slightly", Hitchcock said, "it would have gone from being a suspense film into a horror film. been haunting it all of these years. with any force or conviction. then reclining at full length across from Guy in the private compartment. compartment, Bruno reveals that he wants his father dead, and suggests a He has no patience with mediocrity on the set or at a dinner table. A film of noir moments galore. Reviewed in the United States on October 4, 2022. frequently use a buried subtext of unstated gay attraction -- as in "The As Guy listens with detached amusement, Bruno discusses the theory of \"exchange murders.\" Suppose that Bruno were to murder Guy's wife, and Guy in exchange were to kill Bruno's father? To the man committed to a career in politics, Bruno represents a tempting overthrow of all responsibility. This piece of film he then enlarged and projected onto a vast screen, positioning actors around and in front of it so that the effect is one of a mob of bystanders into which plaster horses and passengers are hurled in deadly chaos. Reviewed in the United States on October 15, 2007. This is a psychological thriller involves two young men who are strangers upon meeting each other on a train. Barbara Morton: From what I hear she pursued it in all directions. Bruno is rather a child. His gaze falls upon Barbara, whose appearance resembles Miriam's. Guy, on the other hand, shows little interest in eating the lunch, apparently having given it no advance thought, in contrast to Bruno, and he merely orders what seems his routine choice, a hamburger and coffee. Strangers on a Train(1950) is a suspense thriller by Patricia Highsmith, based on the premise that two strangers swap murders. The screen adaptation differed from Highsmith's book in that Haines is given a happy ending, having . The kid Especially with Bruno, who held the movie together as he did the book." Buy it! [20], There was one point of agreement between Chandler and Hitchcock, although it would come only much later, near the release of the film: they both acknowledged that since virtually none of Chandler's work remained in the final script, his name should be removed from the credits. There are two respectable and influential fathers, two women with eyeglasses, and two women at a party who delight in thinking up ways of committing the perfect crime. Strangers on a Train is a 1951 American psychological thriller film noir produced and directed by Alfred Hitchcock, and based on the 1950 novel Strangers on a Train by Patricia Highsmith. These events were the background to their work, while Hitchcock, Cook, Ormonde and Keon were preparing the script for Strangers, and film scholar Robert L. Carringer has written of a political subtext to the film. ("he's stronger," he told Francois Truffaut), but Holden would have Bruno dreams up a crazy scheme whereby he and Guy exchange murders. A psychopath forces a tennis star to comply with his theory that two strangers can get away with murder. They would both have airtight alibis for the time of the crime, and But rotate in the same direction -- except one.). Synopsis. (The same technique was used That combination came in the first "[8] None was more demanding than Bruno's strangulation of Miriam, shown reflected in her eyeglass lens: "It was the kind of shot Hitchcock had been tinkering with for twenty yearsand Robert Burks captured it magnificently. This includes lots of great home movies; Alfred Hitchcock's Historical Meeting (SD; 1:08) is a weird little snippet without sound that shows Hitch interacting with actors made up as historical characters. [7] For six days, they shot at Penn Station in New York City, at the railroad station at Danbury, Connecticutwhich became Guy's hometown Metcalfand in spots around Washington, D.C.[7]. [48], Roger Ebert wrote that "it is this sense of two flawed characters one evil, one weak, with an unstated sexual tension that makes the movie intriguing and halfway plausible, and explains how Bruno could come so close to carrying out his plan."[4]. Please help this article by looking for better, more reliable sources. I've been hearing about this movie recently and decided to give it a go, and I'm so glad I did! [24] Exteriors would be shot on both coasts, and interiors on Warner Brothers' soundstages. [69] A two-disc DVD edition was released in 2004 containing both versions of the film, this time with the "British" version titled "Preview Version" (102:49 long) and the "Hollywood" version titled "Final Release Version" (100:40 long). there would be no possible connection between killer and victim. He narrowed the geographic scope to the Northeast corridor, between Washington, D.C. and New York the novel ranged through the southwest and Florida, among other locales. so often do, with a sense of private scores being settled just out of sight. American Film Institute listed the film as #32 in AFI's 100 Years100 Thrills. But Hitchcock takes music to another level. He makes an "[55], Although its first rumblings came in 1947 with the trial and conviction of the "Hollywood Ten," the so-called Red Scare was gathering steam in 1950, with the espionage-related arrests of Julius and Ethel Rosenberg and the trial of Alger Hiss. At first glance, Guy represents the ordered life where people stick to rules, while Bruno comes from the world of chaos,[49] where they get thrown out of multiple colleges for drinking and gambling. + a trailer. One of my top 50 movies, never seen on a big screen. The laying bare of Bruno's hidden nature, along with the great set pieces (head-turning tennis match, disintegrating carousel) and suspense as only Hitchcock can deliver, makes for a first-class trip. [22] "Low-keyed, mild mannered", Burks was "a versatile risk-taker with a penchant for moody atmosphere. He found exactly what he needed right on the Warners lot in the person of staff cameraman Robert Burks, who would continue to work with Hitchcock, shooting every Hitchcock picture through to Marnie (1964), with the exception of Psycho. Guy nervously steps into the shadows with Bruno, literally behind the bars of an iron fence; "You've got me acting like I'm a criminal", he says. [46], This doubling has some precedent in the novel; but more of it was deliberately added by Hitchcock, "dictated in rapid and inspired profusion to Czenzi Ormonde and Barbara Keon during the last days of script preparation. In Alfred Hitchcock's suspense classic, "Strangers On a Train", a naive and weary tennis pro unwisely allows himself to be enticed into the confidence of a seemingly silly stranger. Behind the Story contains these featurettes: Strangers on a Train: A Hitchcock Classic (SD; 36:44) is a nice overview with Peter Bogdanovich and several others discussing the importance of the film in the Hitchcock canon; Strangers on a Train: The Victim's P.O.V. [21], Carringer has argued that the film was crucially shaped by the Congressional inquiries, making Guy the stand-in for victims of the homophobic climate. Off-handedly, he suggests to Guy that they trade murders: Bruno will kill Guy's troublesome wife, and Guy will eliminate Bruno's despised father. The With no known link between the two men, the police would be none the wiser, would they? whose conversation shows a detailed knowledge of Guy's private life. 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